Memaparkan catatan dengan label Abraham Lincoln. Papar semua catatan
Memaparkan catatan dengan label Abraham Lincoln. Papar semua catatan

Rabu, 18 September 2019

Poets United Midweek Motif ~ Vigilance


"Eternal vigilance is the price of liberty." ~Ida B. Wells

Today is World Water Monitoring Day!

 Wednesday, September 18

❝. . . . we challenge you to test the quality of your
waterways, share your findings, and protect our most precious resource. ❞
 
 
 –Philippe Cousteau, Jr.
FOUNDER, EARTHECHO INTERNATIONAL


Allegory of Vigilance, Domenico Tintoretto
File:Vigilance (United States Navy poster).jpg
United States Navy



Midweek Motif ~ Vigilance

I started building this prompt around World Water Monitoring Day ~ which is today ~ then widened it to vigilance.  We might agree that youth and community involvement could prevent poisons in our water, but is vigilance always a useful community action?  Would it be useful in keeping guns out of the hands of would-be killers?  In stopping hate crimes?  In keeping treaties?  In guiding media and the internet?  Who should be vigilant?

And when is vigilance simply too exhausting? How much more creative might people be if their attention wasn't divided by constant vigilance?   I remember wondering this during feminist "Take Back the Night" marches in the 1970s.  Now I wonder around issues of immigration and racial profiling. 


Your Challenge:  Create a new poem that addresses the monitoring and vigilance you see as necessary or obtrusive. 

Volunteers from the United States Environmental Protection Agency geared up in their official water sampling gear to show students how they do their jobs. To find out more about water sampling and monitoring visit: www.epa.gov/region8/water/monitoring/

 🔎

In Which She Considers the Water

 by Rebecca Dunham

Flint, Michigan, 2016

The river rushes and beats her
             home. Through phosphate-scaled
plumbing, it veins the walls' plaster
            and water bleeds
orange chloride from the tap. The pipes
            leach. The lead—no
imminent threat to public health—seeps
            and floats like a ghost, silent,
straight from the Flint to her child's
plastic cup. Lead levels peak
            at 13,200 ppb and the pipes moan:
what was done cannot be
            undone. Fill a glass. Hold it
to the light. No one here to see.

(I used this poem without permission, and will remove it if you wish.)

 Watcher



By Natasha Trethewey

— After Katrina, 2005

At first, there was nothing to do but watch.
For days, before the trucks arrived, before the work
of cleanup, my brother sat on the stoop and watched.

He watched the ambulances speed by, the police cars;
watched for the looters who’d come each day
to siphon gas from the car, take away the generator,

the air conditioner, whatever there was to be had.
He watched his phone for a signal, watched the sky
for signs of a storm, for rain so he could wash.

At the church, handing out diapers and water,
he watched the people line up, watched their faces
as they watched his. And when at last there was work,

he got a job, on the beach, as a watcher.
Behind safety goggles, he watched the sand for bones,
searched for debris that clogged the great machines.

Riding the prow of the cleaners, or walking ahead,
he watched for carcasses – chickens mostly, maybe
some cats or dogs. No one said remains. No one

had to. It was a kind of faith, that watching:
my brother trained his eyes to bear
the sharp erasure of sand and glass, prayed

there’d be nothing more to see.
(I used this poem without permission, and will remove it if you wish.)

All Watched Over By Machines Of Loving Grace

By  Richard Brautigan

I like to think (and
the sooner the better!)
of a cybernetic meadow
where mammals and computers
live together in mutually
programming harmony
like pure water
touching clear sky.

I like to think
(right now, please!)
of a cybernetic forest
filled with pines and electronics
where deer stroll peacefully
past computers
as if they were flowers
with spinning blossoms.

I like to think
(it has to be!)
of a cybernetic ecology
where we are free of our labors
and joined back to nature,
returned to our mammal
brothers and sisters,
and all watched over
by machines of loving grace.


Please share your new poem using Mr. Linky below and visit others in the spirit of the community—
  ( Next week Sumana’s Midweek Motif will be ~ Honey / Bee )

Rabu, 19 Jun 2019

Poets United Midweek Motif ~ Gardens


“A visitor to a garden sees the successes, usually. The gardener remembers mistakes and losses, some for a long time, and imagines the garden in a year, and in an unimaginable future.”
W.S. Merwin

Matilda Browne Peonies 1907.jpg
Peonies by Matilda Browne (1907)

“The greatest fine art of the future will be the making of a comfortable living from a small piece of land.”
Abraham Lincoln 
 
“We are exploring together. We are cultivating a garden together, backs to the sun. The question is a hoe in our hands and we are digging beneath the hard and crusty surface to the rich humus of our lives.”
Parker J. Palmer

  

Midweek Motif ~ Gardens

 "How does your garden grow?"  ~  is a line from a nursery rhyme, and it is today's challenge.  Your garden can be vegetables or flowers or herbs or mythic or futuristic or a memory.  It can be quite famous or one only you know.  Let us experience it in your new poem.
🍐🥕🍈

I went to the Garden of Love,
And saw what I never had seen:
A Chapel was built in the midst,
Where I used to play on the green.

And the gates of this Chapel were shut,
And Thou shalt not. writ over the door;
So I turn'd to the Garden of Love,
That so many sweet flowers bore. 

And I saw it was filled with graves,
And tomb-stones where flowers should be:
And Priests in black gowns, were walking their rounds,
And binding with briars, my joys & desires.






A black cat among roses,
Phlox, lilac-misted under a first-quarter moon,
The sweet smells of heliotrope and night-scented stock.
The garden is very still,   
It is dazed with moonlight,
Contented with perfume,
Dreaming the opium dreams of its folded poppies.
Firefly lights open and vanish   
High as the tip buds of the golden glow
Low as the sweet alyssum flowers at my feet.
Moon-shimmer on leaves and trellises,
Moon-spikes shafting through the snow ball bush.   
Only the little faces of the ladies’ delight are alert and staring,
Only the cat, padding between the roses,
Shakes a branch and breaks the chequered pattern
As water is broken by the falling of a leaf.
Then you come,
And you are quiet like the garden,
And white like the alyssum flowers,   
And beautiful as the silent sparks of the fireflies.
Ah, Beloved, do you see those orange lilies?
They knew my mother,
But who belonging to me will they know
When I am gone.
By H. D.

I have had enough.
I gasp for breath.

Every way ends, every road,
every foot-path leads at last
to the hill-crest—
then you retrace your steps,
or find the same slope on the other side,
precipitate.

I have had enough—
border-pinks, clove-pinks, wax-lilies,
herbs, sweet-cress.

O for some sharp swish of a branch—
there is no scent of resin
in this place,
no taste of bark, of coarse weeds,
aromatic, astringent—
only border on border of scented pinks.

Have you seen fruit under cover
that wanted light—
pears wadded in cloth,
protected from the frost,
melons, almost ripe,
smothered in straw?

Why not let the pears cling
to the empty branch?
All your coaxing will only make
a bitter fruit—
let them cling, ripen of themselves,
test their own worth,
nipped, shriveled by the frost,
to fall at last but fair
with a russet coat.

Or the melon—
let it bleach yellow
in the winter light,
even tart to the taste—
it is better to taste of frost—
the exquisite frost—
than of wadding and of dead grass.

For this beauty,
beauty without strength,
chokes out life.
I want wind to break,
scatter these pink-stalks,
snap off their spiced heads,
fling them about with dead leaves—
spread the paths with twigs,
limbs broken off,
trail great pine branches,
hurled from some far wood
right across the melon-patch,
break pear and quince—
leave half-trees, torn, twisted
but showing the fight was valiant.

O to blot out this garden
to forget, to find a new beauty
in some terrible
wind-tortured place.

Thomas Cole The Garden of Eden detail Amon Carter Museum.jpg
The Garden of Eden by Thomas Cole 1828

 🍐🥕🍈

Please share your new poem using Mr. Linky below and visit others in the spirit of the community—
(Next week Sumana’s Midweek Motif will be ~ Walk.)

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