Memaparkan catatan dengan label Jane Hirshfield. Papar semua catatan
Memaparkan catatan dengan label Jane Hirshfield. Papar semua catatan

Rabu, 3 April 2019

Poets United Midweek Motif ~ Writing Poetry


“A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness.”
― Robert Frost

National Poetry Month Poster 2019
Art by tenth grader Julia Wang from San Jose, California, who has won the inaugural National Poetry Month Poster Contest. Wang’s artwork was selected by contest judges Naomi Shihab Nye and Debbie Millman . . . . It incorporates lines from the poem "An Old Story" by current U. S. Poet Laureate Tracy K. Smith.  
 Read more about Wang’s winning artwork.

“Poetry is finer and more philosophical than history; for poetry expresses the universal, and history only the particular.”

― Aristotle

"Poetry is the spontaneous overflow of powerful feelings: it takes its origin from emotion recollected in tranquility." 
 --William Wordsworth



Midweek Motif ~ Writing Poetry

Writing Poetry is what we do. Why?
According to Jane Hirshfeld: 
"One reason to write a poem is to flush from the deep thickets of the self some thought, feeling, comprehension, question, music, you didn’t know was in you, or in the world. Other forms of writing—scientific papers, political analysis, most journalism—attempt to capture and comprehend something known. Poetry is a release of something previously unknown into the visible. You write to invite that, to make of yourself a gathering of the unexpected and, with luck, of the unexpectable."   (Read the rest HERE.)

Is she right?  What is a poem? 

Your Challenge:  In a New poem, tell us Why Write Poetry? and/or What Is Poetry?  Consider limiting yourself to addressing one poem rather than generalizing.
🟍

Last Monday, Sherry gave us Poems of the Week ~ Three Poets on Poetry in which Sanaa, Rajani and Sumana answered that question.  Below I provide a few excerpts of the feature:

In POEM HOLDING ITS HEART IN ONE FIST*, Sanaa notes: 
". . . sometimes it’s better to counsel with our hearts alone. 
I have found that pink buds are perfect within  
and destined to open. . . . "
In THE POET HAS GONE, Sumana notes: 
". . . Things of beauty,  
Scattered everywhere 
Like a Mary Oliver page- 
Yet there’s an uncanny calm . . . ."
And in JUST MATH, Rajani notes:
"Even Rumi, who could fit the entire
universe inside his poem, was yearning
for the grace of the Beloved. The universe
is not enough. . . ."


At the podium
measured and grave as a metronome
the (white, male) poet with bald-
gleaming head broods in gnom-
ic syllables on the death
of 12-year-old (black, male) Tamir Rice
shot in a park
by a Cleveland police officer
claiming to believe
the boy’s plastic pistol
was a “real gun”
like his own eager
to discharge and slay
  
while twelve feet away
at the edge
of the bright-lit stage
the (white, female) interpreter
signing for the deaf is stricken
with emotion —
horror, pity, disbelief —
outrage, sorrow —
young-woman face contorted
and eyes spilling tears
like Tamir Rice’s mother
perhaps, or the sister
made to witness
the child’s bleeding out
in the Cleveland park.
We stare
as the interpreter’s fingers
pluck the poet’s words out of the air
like bullets, break open stanzas
tight as conches with the deft
ferocity of a cormo-
rant and render gnome-speech
raw as hurt, as harm,
as human terror
wet-eyed and mouth-grimaced
in horror’s perfect O.
Rafael - El Parnaso (Estancia del Sello, Roma, 1511).jpg
The Parnassus: The whole room shows the four areas of human knowledge:
philosophy, religion, poetry and law, with 
The Parnassus representing poetry. 

by Rafael (1511)





Morn on her rosy couch awoke, 
   Enchantment led the hour, 
And mirth and music drank the dews 
   That freshen’d Beauty’s flower, 
Then from her bower of deep delight, 
   I heard a young girl sing, 
‘Oh, speak no ill of poetry, 
   For ’tis a holy thing.’ 

The Sun in noon-day heat rose high, 
   And on the heaving breast, 
I saw a weary pilgrim toil 
   Unpitied and unblest, 
Yet still in trembling measures flow’d 
   Forth from a broken string, 
‘Oh, speak no ill of poetry, 
   For ’tis a holy thing.’ 

’Twas night, and Death the curtains drew, 
   ’Mid agony severe, 
While there a willing spirit went 
   Home to a glorious sphere, 
Yet still it sigh’d, even when was spread
   The waiting Angel’s wing, 
‘Oh, speak no ill of poetry, 
   For ’tis a holy thing.’


by Matt Haig

I

Like

The Way

That when you

Tilt
Poems
On their side
They
Look like
Miniature
Cities
From
A long way
Away. 
Skyscrapers
Made out
Of
Words.

Please share your new poem using Mr. Linky below and visit others in the spirit of the community—
                (Next week Sumana’s Midweek Motif will be ~ Temptation)

Rabu, 16 Julai 2014

Poets United Midweek Motif ~ World Snake Day

“Snake looks scary for us and we look scary for the snake! 
Always try to see yourself from the eyes of others!” 
― Mehmet Murat ildan


Orianne Society





Midweek Motif ~ World Snake Day



Your Challenge: 
Honor snakes in a poem. 



Have you any snake stories...  
2.5 minutes of this! or more.



...or snake beliefs? 
Shiva absorbed in meditation, as depicted commonly
in Hinduism with a snake around his neck.


Wikipedia is helpful with articles for  Snakes, Reptiles, and Herpetology.  YouTube has more in documentary, song and home video.





Snakes appear in Art and in Fiction.

1870s vinegar valentine snake proposal declined.jpg

Poetic Inspiration:


BY JANE HIRSHFIELD

One day in that room, a small rat.
Two days later, a snake.

Who, seeing me enter,
whipped the long stripe of his   
body under the bed,
then curled like a docile house-pet.
. . . . (read the rest HERE at The Poetry Foundation.)


When the snake bit   
Rabbi Hanina ben Dosa   
while he was praying

the snake died. (Each day   
is attended by surprises   
or it is nothing.)

Question: was the bare-footed,   
smelly Rabbi more poisonous   
than the snake
. . . . (read the rest HERE.)

  • from Antony and Cleopatra by WILLIAM SHAKESPEARE


  •  Cleopatra.                             Come, thou 
    mortal wretch, [To an asp, which she applies to her breast] 
    3765
    With thy sharp teeth this knot intrinsicate
    Of life at once untie: poor venomous fool
    Be angry, and dispatch. O, couldst thou speak,
    That I might hear thee call great Caesar ass
    Unpolicied!
    3770
  • CleopatraPeace, peace!
    Dost thou not see my baby at my breast,
    That sucks the nurse asleep?
  • CleopatraAs sweet as balm, as soft as air, as gentle,— 

  • ~

 Please:  
1.      Post your Poem to Honor Snakes on your site, and then link it here.
2.      Share only original and new work written for this challenge. 
3.      Leave a comment here.
4.      Honor our community by visiting and commenting on others' poems.


(Next Week's Midweek Motif will be Le Tour de France )



Mister Linky's Magical Widgets -- Auto-Linky widget will appear right here!
This preview will disappear when the widget is displayed on your site.
If this widget does not appear, click here to display it.

Jumaat, 26 Ogos 2011

I Wish I'd Written This

My wife and I were privileged to attend a reading by Jane Hirshfield at Oregon State University a year or so ago.  She is a gentle reader and a powerful writer.  I love this one.

By Jane Hirshfield

My mare, when she was in heat,   
would travel the fenceline for hours,   
wearing the impatience
in her feet into the ground.

Not a stallion for miles, I’d assure her,   
give it up.

She’d widen her nostrils,
sieve the wind for news, be moving again,   
her underbelly darkening with sweat,   
then stop at the gate a moment, wait   
to see what I might do.
Oh, I knew
how it was for her, easily
recognized myself in that wide lust:   
came to stand in the pasture
just to see it played.
Offered a hand, a bucket of grain—
a minute’s distraction from passion   
the most I gave.

Then she’d return to what burned her:   
the fence, the fence,
so hoping I might see, might let her free.   
I’d envy her then,
to be so restlessly sure
of heat, and need, and what it takes   
to feed the wanting that we are—

only a gap to open
the width of a mare,
the rest would take care of itself.   
Surely, surely I knew that,
who had the power of bucket   
and bridle—
she would beseech me, sidle up,   
be gone, as life is short.
But desire, desire is long.

From Of Gravity and Angels by Jane Hirshfield.















Click on the title to go to poetryfoundation.org's posting of Heat and listen to Jane Hirshfield read her poem.  Click on the poet's name to learn more about Jane Hirshfield.

Arkib Blog

Pengikut