Showing posts with label RabindranathTagore. Show all posts
Showing posts with label RabindranathTagore. Show all posts

Wednesday, May 22, 2019

Poets United Midweek Motif ~ Light



 
“There are two ways of spreading light: to be the candle or the mirror that reflects it.”— Edith Wharton

SOURCE


“If each day falls
inside each night,
there exists a well
where clarity is imprisoned.

We need to sit on the rim
of the well of darkness
and fish for fallen light
with patience.”— Pablo Neruda


        Midweek Motif ~ Light

Our words can create both darkness and light. For today stick to Light; whatever Light means to you. A compare and contrast will also do.


Choose any parts of speech you prefer your ‘Light’ to be in: noun, adjective, verb.


As I am writing this I am thinking of Helen Keller who preferred to walk with a friend in the dark than walking alone in light. 



Now, to share a few poems with you:


With The Light Of Eye
by Rabindranath Tagore

With the light of eye I’d seen what the world displayed.
          Today I look within when all light is erased.
Sight can’t arrest you   yet the heart is replete with you,
        Now in your own light I desire to gaze at you.
           In my play-room we had played together.
       In the ravaging storm toys have been shattered.
         Let’s end that mere play and souls’ union be made—
              Lute is broken, my heart string I strum.

     (Translated by Sumana Roy)


Light Breaks Where No Sun Shines
by Dylan Thomas

Light breaks where no sun shines;
Where no sea runs, the waters of the heart
Push in their tides;
And, broken ghosts with glowworms in their heads,
The things of light
File through the flesh where no flesh decks the bones.

A candle in the thighs
Warms youth and seed and burns the seeds of age;
Where no seed stirs,
The fruit of man unwrinkles in the stars,
Bright as a fig;
Where no wax is, the candle shows its hairs.

Dawn breaks behind the eyes;
From poles of skull and toe the windy blood
Slides like a sea;
Nor fenced, nor staked, the gushers of the sky
Spout to the rod
Divining in a smile the oil of tears.

Night in the sockets rounds,
Like some pitch moon, the limit of the globes;
Day lights the bone;
Where no cold is, the skinning gales unpin
The winter's robes;
The film of spring is hanging from the lids.

Light breaks on secret lots,
On tips of thought where thoughts smell in the rain;
When logics die,
The secret of the soil grows through the eye,
And blood jumps in the sun;
Above the waste allotments the dawn halts. 




Light Is More Important Than The Lantern
by Nizar Quabbani

Light is more important than the lantern,
The poem more important than the notebook,
And the kiss more important than the lips.
My letters to you
Are greater and more important than both of us.
They are the only documents
Where people will discover
Your beauty 
And my madness.



 Please share your new poem using Mr. Linky below and visit others in the spirit of the community—
              (Next week Susan’s Midweek Motif will be ~ Peace)


Wednesday, August 1, 2018

Poets United Midweek Motif ~ "a bundle of contradictions" (from Anne Frank's last letter)



I am very conscious of the fact that our feelings and strivings are often contradictory and obscure and that they cannot be expressed in easy and simple formulas.
Albert Einstein

In love all the contradictions of existence merge themselves and are lost. Only in love are unity and duality not at variance. Love must be one and two at the same time.                                                                                                                              ~ Rabindranath Tagore




Anne Frank dated her last diary entry 1 August 1944. Here it is, edited by Otto H. Frank and Mirjam Pressler, and translated by Susan Massotty.  

This is an excerpt:
"Dearest Kitty, 
". . . Can you please tell me exactly what "a bundle of contradictions" is? What does "contradiction" mean? Like so many words, it can be interpreted in two ways: a contradiction imposed from without and one imposed from within. The former means not accepting other people's opinions, always knowing best, having the last word; in short, all those unpleasant traits for which I'm known. The latter, for which I'm not known, is my own secret. As I've told you many times, I'm split in two. One side contains my exuberant cheerfulness, my flippancy, my joy in life and, above all, my ability to appreciate the lighter side of things. By that I mean not finding anything wrong with flirtations, a kiss, an embrace, an off-color joke. This side of me is usually lying in wait to ambush the other one, which is much purer, deeper and finer. . . ." 

💕


Midweek Motif ~ 
"a bundle of contradictions" 


(see here a very loud silence)


Your Challenge:  Make one new poem with the motif "a bundle of contradictions."  Alternatively, make a new poem with a motif inspired by Anne Frank.






Even now, after twice her lifetime of grief
and anger in the very place, whoever comes
to climb these narrow stairs, discovers how
the bookcase slides aside, then walks through
shadow into sunlit room, can never help
but break her secrecy again. Just listening
is a kind of guilt: the Westerkirk repeats
itself outside, as if all time worked round
towards her fear, and made each stroke
die down on guarded streets. Imagine it—
four years of whispering, and loneliness
. . . . 
(Read the rest HERE.)
            BY WALT WHITMAN

51

The past and present wilt—I have fill’d them, emptied them,
And proceed to fill my next fold of the future.

Listener up there! what have you to confide to me?
Look in my face while I snuff the sidle of evening,
(Talk honestly, no one else hears you, and I stay only a minute longer.)

Do I contradict myself?
Very well then I contradict myself,
(I am large, I contain multitudes.)

I concentrate toward them that are nigh, I wait on the door-slab.

Who has done his day’s work? who will soonest be through with his supper?
Who wishes to walk with me?

Will you speak before I am gone? will you prove already too late?


Drawing Hands by M.C. Escher (1948)
💕




Please share your new poem using Mr. Linky below and visit others in the spirit of the community—


(Next week Sumana’s Midweek Motif will be ~ of poems.)


Wednesday, March 21, 2018

Poets United Midweek Motif ~ Colour (Color)



Color effect – Sunlight shining through stained glass onto carpet
(Nasir ol Molk Mosque located in ShirazIran)


“Clouds come floating into my life, no longer to carry rain or usher storm, but to add color to my sunset sky.”
Rabindranath Tagore
“I think it pisses God off if you walk by the color purple in a field somewhere and don't notice it.”Alice Walker
“One should be a painter. As a writer, I feel the beauty, which is almost entirely colour, very subtle, very changeable, running over my pen, as if you poured a large jug of champagne over a hairpin.”Virginia Woolf


"ME TOO" by Annell Livingston:
"Hold the world as tenderly as a lover."

(Used with permission.)



Midweek Motif ~ Color (Colour)

Working on this prompt is brightening my world! Today, I share words from Annell Livingston who created the "Me Too" acrylic painting above:  
I have been studying color for over fifty years.  And color is like exploring a cave deep underground, the doors or passageways keep opening, just when you think you have a handle on the subject, another door opens and presents new possibilities.  We begin with the hues of color, or the names of each color, like red, yellow and blue.  The lights and darks of color, tints and shades.  The temperature of color, warm or cool.   And the intensity of color, or the brightness or dullness of color.  There is so much to explore about color and its vibrations, it is a lifetime study.
Today, I'm inviting us to question how color around us shapes our moods and how our moods influence our environments.

The Challenge:  In your brand new poem, reveal the color of a place or an event.

Angostura de Paine.jpg
Angostura de Paine, Chile. By Ricardo Hurtubia


for my sisters
Because we did not have threads
of turquoise, silver, and gold,
we could not sew a sun nor sky.
And our hands became balls of fire.
And our arms spread open like wings.

Because we had no chalk or pastels,
no toad, forest, or morning-grass slats
of paper, we had no colour
for creatures. So we squatted
and sprang, squatted and sprang.

Four young girls, plaits heavy
on our backs, our feet were beating
drums, drawing rhythms from the floor;
our mouths became woodwinds;
our tongues touched teeth and were reeds.

(Used with permission of the poet.)
First appeared in Song of Thieves 
University of Pittsburgh Press, 2003
Purple as tulips in May, mauve
into lush velvet, purple
as the stain blackberries leave
on the lips, on the hands,
the purple of ripe grapes
sunlit and warm as flesh.

Every day I will give you a color,
like a new flower in a bud vase
on your desk. Every day
I will paint you, as women
color each other with henna
on hands and on feet.

Red as henna, as cinnamon,
as coals after the fire is banked,
the cardinal in the feeder,
the roses tumbling on the arbor
their weight bending the wood
the red of the syrup I make from petals.

Orange as the perfumed fruit
hanging their globes on the glossy tree,
orange as pumpkins in the field,
orange as butterflyweed and the monarchs
who come to eat it, orange as my
cat running lithe through the high grass.

Yellow as a goat’s wise and wicked eyes,
yellow as a hill of daffodils,
yellow as dandelions by the highway,
yellow as butter and egg yolks,
yellow as a school bus stopping you,
yellow as a slicker in a downpour.
. . . . 
(Read the rest of this marvelous poem HERE.)


                          BY GEORGE ELIOT
The sky is cloudy, yellowed by the smoke. 
For view there are the houses opposite 
Cutting the sky with one long line of wall 
Like solid fog: far as the eye can stretch 
Monotony of surface & of form 
Without a break to hang a guess upon. 
No bird can make a shadow as it flies, 
For all is shadow, as in ways o'erhung 
By thickest canvass, where the golden rays 
Are clothed in hemp. No figure lingering 
Pauses to feed the hunger of the eye 
Or rest a little on the lap of life. 
All hurry on & look upon the ground, 
Or glance unmarking at the passers by 
The wheels are hurrying too, cabs, carriages 
All closed, in multiplied identity. 
The world seems one huge prison-house & court 
Where men are punished at the slightest cost, 
With lowest rate of colour, warmth & joy. 

In the Bois de Boulogne (Berthe Morisot) - Nationalmuseum - 22575.tif
In the Bois de Boulogne by Berthe Morisot (1880)


Pied Beauty 

Glory be to God for dappled things – 
   For skies of couple-colour as a brinded cow; 
      For rose-moles all in stipple upon trout that swim; 
Fresh-firecoal chestnut-falls; finches’ wings; 
   Landscape plotted and pieced – fold, fallow, and plough; 
      And áll trádes, their gear and tackle and trim. 

All things counter, original, spare, strange; 
   Whatever is fickle, freckled (who knows how?) 
      With swift, slow; sweet, sour; adazzle, dim; 
He fathers-forth whose beauty is past change: 
                                Praise him.

🌈
 Please share your new poem using Mr. Linky below and visit others in the spirit of the community—
(Next week Sumana’s Midweek Motif will be ~ Treasure)

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