Showing posts with label William Wordsworth. Show all posts
Showing posts with label William Wordsworth. Show all posts

Wednesday, April 3, 2019

Poets United Midweek Motif ~ Writing Poetry


“A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness.”
― Robert Frost

National Poetry Month Poster 2019
Art by tenth grader Julia Wang from San Jose, California, who has won the inaugural National Poetry Month Poster Contest. Wang’s artwork was selected by contest judges Naomi Shihab Nye and Debbie Millman . . . . It incorporates lines from the poem "An Old Story" by current U. S. Poet Laureate Tracy K. Smith.  
 Read more about Wang’s winning artwork.

“Poetry is finer and more philosophical than history; for poetry expresses the universal, and history only the particular.”

― Aristotle

"Poetry is the spontaneous overflow of powerful feelings: it takes its origin from emotion recollected in tranquility." 
 --William Wordsworth



Midweek Motif ~ Writing Poetry

Writing Poetry is what we do. Why?
According to Jane Hirshfeld: 
"One reason to write a poem is to flush from the deep thickets of the self some thought, feeling, comprehension, question, music, you didn’t know was in you, or in the world. Other forms of writing—scientific papers, political analysis, most journalism—attempt to capture and comprehend something known. Poetry is a release of something previously unknown into the visible. You write to invite that, to make of yourself a gathering of the unexpected and, with luck, of the unexpectable."   (Read the rest HERE.)

Is she right?  What is a poem? 

Your Challenge:  In a New poem, tell us Why Write Poetry? and/or What Is Poetry?  Consider limiting yourself to addressing one poem rather than generalizing.
🟍

Last Monday, Sherry gave us Poems of the Week ~ Three Poets on Poetry in which Sanaa, Rajani and Sumana answered that question.  Below I provide a few excerpts of the feature:

In POEM HOLDING ITS HEART IN ONE FIST*, Sanaa notes: 
". . . sometimes it’s better to counsel with our hearts alone. 
I have found that pink buds are perfect within  
and destined to open. . . . "
In THE POET HAS GONE, Sumana notes: 
". . . Things of beauty,  
Scattered everywhere 
Like a Mary Oliver page- 
Yet there’s an uncanny calm . . . ."
And in JUST MATH, Rajani notes:
"Even Rumi, who could fit the entire
universe inside his poem, was yearning
for the grace of the Beloved. The universe
is not enough. . . ."


At the podium
measured and grave as a metronome
the (white, male) poet with bald-
gleaming head broods in gnom-
ic syllables on the death
of 12-year-old (black, male) Tamir Rice
shot in a park
by a Cleveland police officer
claiming to believe
the boy’s plastic pistol
was a “real gun”
like his own eager
to discharge and slay
  
while twelve feet away
at the edge
of the bright-lit stage
the (white, female) interpreter
signing for the deaf is stricken
with emotion —
horror, pity, disbelief —
outrage, sorrow —
young-woman face contorted
and eyes spilling tears
like Tamir Rice’s mother
perhaps, or the sister
made to witness
the child’s bleeding out
in the Cleveland park.
We stare
as the interpreter’s fingers
pluck the poet’s words out of the air
like bullets, break open stanzas
tight as conches with the deft
ferocity of a cormo-
rant and render gnome-speech
raw as hurt, as harm,
as human terror
wet-eyed and mouth-grimaced
in horror’s perfect O.
Rafael - El Parnaso (Estancia del Sello, Roma, 1511).jpg
The Parnassus: The whole room shows the four areas of human knowledge:
philosophy, religion, poetry and law, with 
The Parnassus representing poetry. 

by Rafael (1511)





Morn on her rosy couch awoke, 
   Enchantment led the hour, 
And mirth and music drank the dews 
   That freshen’d Beauty’s flower, 
Then from her bower of deep delight, 
   I heard a young girl sing, 
‘Oh, speak no ill of poetry, 
   For ’tis a holy thing.’ 

The Sun in noon-day heat rose high, 
   And on the heaving breast, 
I saw a weary pilgrim toil 
   Unpitied and unblest, 
Yet still in trembling measures flow’d 
   Forth from a broken string, 
‘Oh, speak no ill of poetry, 
   For ’tis a holy thing.’ 

’Twas night, and Death the curtains drew, 
   ’Mid agony severe, 
While there a willing spirit went 
   Home to a glorious sphere, 
Yet still it sigh’d, even when was spread
   The waiting Angel’s wing, 
‘Oh, speak no ill of poetry, 
   For ’tis a holy thing.’


by Matt Haig

I

Like

The Way

That when you

Tilt
Poems
On their side
They
Look like
Miniature
Cities
From
A long way
Away. 
Skyscrapers
Made out
Of
Words.

Please share your new poem using Mr. Linky below and visit others in the spirit of the community—
                (Next week Sumana’s Midweek Motif will be ~ Temptation)

Wednesday, November 14, 2018

Poets United Midweek Motif ~ Ode To Age



 
“….O! sweet to me the laughing hours,
When earth seemed gay, and heaven was fair;
When fancy culled her thornless flowers,
And pleasure reigned unknown to care....” — William B. Tappan


SOURCE


      “Why so scrawny, cat?
Starving for fat fish or mice….
Or backyard love?” — Basho


    Midweek Motif ~ Ode To Age


We are paying homage to Age.

In his essay “Of Youth and Age Francis Bacon says, “A man that is young in years may be old in ​hours, if he have lost no time. But that happeneth rarely. Generally, youth is like the first cogitations, not so wise as the second.”


You may write about youth, old age or even about a distinct period of history or literature.


An eminent literary or historical figure in your poem is also most welcome.


Here is an ode to Age by Pablo Neruda:


Ode To Age


by Pablo Neruda

I don't believe in age.
All old people
carry
in their eyes,
a child,
and children,
at times
observe us with the
eyes of wise ancients.
Shall we measure
life
in meters or kilometers
or months?

How far since you were born?
How long
must you wander
until
like all men
instead of walking on its surface
we rest below the earth?
To the man, to the woman
who utilized their
energies, goodness, strength,
anger, love, tenderness,
to those who truly
alive
flowered,
and in their sensuality matured,
let us not apply
the measure
of a time
that may be
something else, a mineral
mantle, a solar
bird, a flower,
something, maybe,
but not a measure.
Time, metal
or bird, long
petiolate flower,
stretch
through
man's life,
shower him
with blossoms
and with
bright
water
or with hidden sun.
I proclaim you
road,
not shroud,
a pristine
ladder
with treads
of air,
a suit lovingly
renewed
through springtimes
around the world.
Now,
time, I roll you up,
I deposit you in my
bait box
and I am off to fish
with your long line
the fishes of the dawn!

translated from the Spanish by Margaret Sayers Peden 


The Charge of the Light Brigade
by Alfred Tennyson


I
Half a league, half a league,
Half a league onward,
All in the valley of Death
   Rode the six hundred.
“Forward, the Light Brigade!
Charge for the guns!” he said.
Into the valley of Death
   Rode the six hundred.


II

“Forward, the Light Brigade!”
Was there a man dismayed?
Not though the soldier knew
   Someone had blundered.
   Theirs not to make reply,
   Theirs not to reason why,
   Theirs but to do and die.
   Into the valley of Death
   Rode the six hundred.

                       (The rest is here) 

London, 1802
by William Wordsworth

Milton! thou shouldst be living at this hour:
England hath need of thee: she is a fen
Of stagnant waters: altar, sword, and pen,
Fireside, the heroic wealth of hall and bower,
Have forfeited their ancient English dower
Of inward happiness. We are selfish men;
Oh! raise us up, return to us again;
And give us manners, virtue, freedom, power.
Thy soul was like a Star, and dwelt apart:
Thou hadst a voice whose sound was like the sea:
Pure as the naked heavens, majestic, free,
So didst thou travel on life's common way,
In cheerful godliness; and yet thy heart
The lowliest duties on herself did lay.


Please share your new poem using Mr. Linky below and visit others in the spirit of the community—
                (Next week Susan’s Midweek Motif will be ~ Prayer.)

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